One of Photoshop CS2’s flashiest enhancements is the kind of feature you may not use often, but it will save hours of effort when you do. But it’s a tricky process, and it’s easy to end up with unnatural-looking photos. The resulting file is a 32-bit image that you can convert to an 8- or 16-bit image for printing and displaying.ĭuring that conversion process, you have a few options for shoehorning the broad dynamic range of a 32-bit image into the narrower range of an 8- or 16-bit image.
PHOTOSHOP CS2 FULL
Run those shots through HDR Merge, and Photoshop blends them to attempt to capture the full tonal range of the original scene. HDR photography involves using a tripod-mounted camera to shoot several photos of a scene, each at a different exposure. Photoshop CS2 adds another option: the HDR Merge command. Used with abandon, it creates a dreamy mood that you’ll be seeing in a lot of wedding albums. Used sparingly, it’s surprisingly effective at removing noise and film grain. Of the three new blur filters in Photoshop CS2, the most interesting is Surface Blur, which creates a diffused, soft-focus look.
You can, for example, control the amount of sharpening applied to highlights and shadows. The new Smart Sharpen filter goes well beyond the Unsharp Mask filter. It provides far more control than the Dust & Scratches filter-including the ability to reduce noise on individual red, green, or blue channels, and to adjust edge details to avoid excessive softening-while still achieving natural-looking results.
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The Reduce Noise filter cleans up noisy images, such as those shot at high ISO speeds. Also new in Photoshop’s filter arsenal are noise-reduction, sharpening, and blurring filters. A set of perspective adjustments makes it easy to fix the converging verticals problem, where a building appears to tilt backward (pictured below right). Written by an experienced designer and computer graphics instructor, Exploring Photoshop CS2 is a designer-driven resource that examines the tools and features. Photographers will also love Photoshop CS2’s new Lens Correction filter, which fixes many common forms of optical image distortion, such as pincushion and barrel distortion. Busy photographers can quickly tweak a set of images and then get back to shooting while Photoshop crunches through the shots. The new Filmstrip pane (on the left) makes it easy to apply the same settings to multiple raw files.Ĭamera Raw 3 also works within the new Bridge application, bringing some appealing workflow options: you can make image adjustments without even launching Photoshop-Camera Raw saves your adjustments in a queue for processing later. You can choose from a few predefined curves or create a custom one by adding control points and positioning them as desired.
PHOTOSHOP CS2 PC
To some extent its fair as CS2 doesn't run on Intel based Macs, so PC users have had an advantage now for years, but I bet this move will not go down well with CS2 users and angry people can easily find the latest version of Photoshop with a crack and not feel any scruples about using it.Camera Raw 3 adds a Curve tab that gives you fine control over contrast. It doesn't affect me as I don't have CS2, but its noticeable on this forum how many people feel its all they need-now if they have a crash or buy a new PC CS2 simply will not work unless they have the special version that is not activated. They will say the deal was for life on a given OS not until Adobe switched off a server to save money.
People will say Adobe has conned them by taking a considerable amount of their money and then making the product unusable-albeit it after 10 years-They would have a point as there was no mention that CS2 would be uninstallable after 10 years. Adobe are pretty good at producing builds that don't interact as they use different folders and runtime libraries, but I suppose its possible.
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